I make dances to understand the world through images and sensations—movement as a way of seeing, remembering, and feeling. The work is rooted in my experience growing up as a quietly queer female in Northern California, shaped by the cultural textures of my Salvadoran heritage. I value form, abstraction, memory, and sensation as tools for
I make dances to understand the world through images and sensations—movement as a way of seeing, remembering, and feeling. The work is rooted in my experience growing up as a quietly queer female in Northern California, shaped by the cultural textures of my Salvadoran heritage. I value form, abstraction, memory, and sensation as tools for forging deep connections with viewers. My choreographic style is influenced by film, Postmodernism, punk rock, and poetry—each informing a raw, nuanced physicality that resists easy narratives and embraces complexity.
BIO
Alma Esperanza Cunningham is a choreographer, mother, and public school teacher based in San Francisco. Her work explores the complexity and nuances of identity through abstraction, memory, and sensation. As a feminist bicultural second-generation Latina artist, Alma creates dances that are grounded in personal narrative and informed by a deep engagement with form, image, and the body’s capacity to speak beyond words.
While living in New York, her choreography was presented at Movement Research, Joyce SoHo, Dixon Place, and Dance Theater Workshop’s Fresh Tracks (Lively Arts). In San Francisco, her work has been featured at ODC Theater, Cowell Theater, Z Space, and Yerba Buena Gardens. She has held residencies at ODC, Margaret Jenkins’s CHIME, CUNY Purchase Dance Initiative, and Safehouse Arts’ AIRspace.
Alma is the recipient of a Bay Guardian GOLDIE Award for Outstanding Local Discovery in Dance and has served as a guest choreographer at the University of San Francisco’s Dance Department. She teaches solo composition workshops for adult dancers and facilitates dance-making classes for children in the Tenderloin through the Tenderloin Achievement Group and Safehouse Arts.
Blending influences from postmodernism, punk rock, film, and poetry, Alma’s choreographic style invites viewers into a raw, intimate space of image-driven inquiry and embodied reflection.
Current collaborators:
Raina Sacksteder, Chloe Nagle, Sophia Grimani, Kyle Filley.
Past Collaborators: Lisa Kitchen, Melanie Casey, Abbigail Munn, Rosemary Hannon, kate Filbert, Chermi Conley, Rebecca Pappas, Phoenicia Pettyjohn, Irene Hsiao, Karla Quinterro, Romina Daniela Rodriguez, Daria Kaufman, Ronja Ver, Caitlin Daly, Arletta Anderson, Keryn Breiterman Loader, Leigh Riley, and Aura Fischbeck.
Choreo by Alma Esperanza Feat. dancers Chloe Nagle and Sophia Grimani.
Choreo by Alma Esperanza
feat. dancers Chloe Nagle and Raina Sacksteder
Choreo by Alma Esperanza feat. Raina Sacksteder and Kyle Filley
This is a deconstructed Ballet inspired by Balanchine. This video features Keryn Breiterman Loader.
This is one solo from an evening-length work titled SHE WENT. Featuring dancer collaborator Karla Quinterro
For all inquiries,
Please email me at almaesperanzacunningham2022@gmail.com
@aecmovement
almaesperanzacunningham@facebook.com
www.youtube.com/@aecmfulJoined
"Esperanza Cunningham has worked extensively as a teaching artist in public schools through Movement Research and, most recently, taught in the youth program at ODC. She has also taught at Glide Memorial and, for the past four years, has led and directed the youth program at Safehouse Arts. Her teaching is deeply informed by her somatic practice, her training with Luna Dance Institute, and her academic background in early childhood development."
"Esperanza Cunningham’s process centers on developing a personal movement language rooted in form, memory, and sensation. For her, the act of doing is the dance."
aecmovement@yahoo.com
ALMA ESPERANZA
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